12/21/2023 0 Comments Sunvox insert restThe Main Studio Room model is super-useful for adding subtle, natural room around a source, especially when used as an insert while dialing in the Dry/Wet mix to taste. The chamber models are so good and distinct that I wouldn’t have batted an eye if the plug-in had been the same price for only those models, which makes the rest of the reverbs a lovely icing on an already fantastic cake. This process is not unlike patching into one of several chambers that a classic studio might have. Though the length control helps fine-tune the tail, I’ve found more often than not that if a specific chamber didn’t feel right (too long or too short, too dense or too thin) I’d first try one of the other chamber models before tweaking. There is a good bit of variability between the five chamber models, both in terms of length and timbre. In addition, they’ve kept the parameters wonderfully simple: input Gain, Dry/Wet mix, reverb length, Pre Delay – no popup menus no buried parameters. MagicVerb’s playful, Monty Python-esque GUI is fun and easy to navigate. There are ten modes: five chambers, three rooms, one plate, and one digital reverb. They’ve re-created a vintage chamber’s realistic nuance and texture brilliantly, while presenting it in an incredibly compelling package. MagicDeathEye) and DDMF Supreme Audio Software. MagicVerb is the newest collaboration between Ian Sefchick (a.k.a. Though there are a thousand excellent plate reverb emulations, aside from a few notable exceptions, a limited number of plug-ins have managed to recreate the specific nuance and texture of a vintage chamber. I’ve climbed into them with acoustic guitars and tambourines, as well as coaxed artists to stand in them to sing, play, or just feel their sonorous resonance. I’ve been lucky enough to make many records at Sound Emporium Studios in Nashville, which has two wonderful tall and narrow chambers. There is absolute magic contained in the plastered walls of classic studios’ echo chambers.
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